Monday, December 15, 2014

Australia Flair

It was a combination that fired my imagination in a way I'd never been moved before in my quiltmaking journey: two pristine fat quarter bundles of Emma Jean Jansen's Terra Australis (my favourite fabric range of 2014), the Quick Curve ruler, and the Quiltcon Panasonic  Bias Tape Challenge.

Today I'd like to share with you my second Quiltcon entry, 'Australia Flair', a quilt I hope conveys the sunshine, warmth and celebration that is our Australian summer.

The challenge brief was simple, to create a quilt using appliquéed handmade bias tape as the main design element. 

I started by using my Quick Curve Ruler to cut out plain white quadrants which would be my main shapes.

As a lover of appliqué I've been using Clover Bias Makers for many years, and from my collection I chose the 1/4 inch, 1/2 inch and 1 inch sizes. I pressed open one folded edge of the 1 inch wide bias which was eventually taken up in the seam allowance when I sewed my arcs into blocks

After marking the arcs on my quadrants, I initially used tiny dots of Roseanne's Glue Baste-It to hold my strips in place. However I soon decided I was more comfortable with hand tacking the strips, ready to machine appliqué them using Auriful Invisible thread.


I tried to graduate the shades diagonally across my quilt, from warm to cool, and on the white space in the middle I 'tossed' a multi-coloured streamer. This was meant to be a party quilt, after all.

I used a double-batt, this time Australia's finest Matilda's Own wool/poly on top, combined with Quilter's Dream Poly Request, to ensure a nice thick base for my free motion machine quilting, and a resistance to fold lines in case Australia Flair had to travel.


As you can imagine, a quilt that thick needed LOTS of pins to ensure all those layers didn't move!


Confident that my pinning would hold the layers, I flew in the face of convention (what a rebel I am!) and began by quilting the arc blocks on my Bernina 1230 domestic machine, and using Aurifil Mako 50 threads in white 2024, leaving the central area until last. To be truthful, this was because I hadn't yet decided how I was going to quilt that part.



After all those feathery shapes, in the end I went for simple twin-stitched cross-hatching, to rest the eye but still give plenty of texture.


'Australia Flair' is my first serious competition quilt, so I washed, pegged out and blocked it carefully so it would hang straight, especially necessary with all that bulk. 

Then I auditioned 2 1/4 inch wide strips for the multicolored binding until I decided on this combination that continued the graduated colour story right out to the edges.


Here you can see the binding machined on before I trimmed back the batting and backing to half an inch from the stitching line. I like a well-stuffed binding!


Did you notice those flapping tails on the corner of my quilt in the pic above? My previous attempts at machined mitred binding corners have ended in frustration and tears, but I was determined to master this method which leaves no binding tails to join along an edge. All the joins are within the neatly stitched mitred corners, or at least that's the theory!  

Woohoo! It worked!


I've loved every minute spent making this quilt but, like Happy, my other Quiltcon entry, Australia Flair won't be making the trip to Austin, Texas.

I'm not the only quilter who assumed that, as long as an entry in the Panasonic Bias Tape Challenge met the competition criteria, it stood a reasonable chance of being accepted. 


As well, I had reason to think that Australia Flair was one of a reasonably small pool of entries. A search of the Instagram hashtag #biastapechallenge and #panasonicbiastapechallenge comes up with entries by just six quilters, myself included. Clearly there must have been lots more Bias Tape Challenge quilts not shared on social media.


I was a little sad that it wasn't juried into the Quiltcon exhibition and, having put so much work into the creation of Australia Flair, the dust of disappointment clung to me just a little longer than it did with Happy. 

But I've brushed myself down, pulled on my big-girl panties and accepted that what will be will be.


Come February, though, when so many of my online quilting friends are meeting up in Austin, Texas, sharing photos of the fun on Instagram and getting to see in real life the magnificent quilts that made the cut, I'm sure I'll discover one or two of those pesky little grains still stuck in my shoe, and once again wish that, if I couldnt be at Quiltcon, at least Australia Flair might have gone.


Friday, December 12, 2014

Happy

I'm afraid there's been little time for blogging here lately, with my sewing machine whirring late into the night for weeks on end. I've been busy making quilts and trying to put my personal 'word of the year' - COURAGE - into practice by entering a couple of competitions for the very first time.

Today I'd like to show you one of my entries, a quilt I've called 'Happy' because that's just how it makes me feel.

{My photos were taken at different times during the process, in varying light conditions}

.

I initially entered it in the Quilting Expo at my local Spotlight store, the rules being that it needed to be my own original design and made entirely of fabrics bought from Spotlight.


Basically, I just took a single piece of Spotlight's white homespun, and fused a rainbow of petal shapes to it. Like many quilters, I have a love/hate relationship with Spotlight and their fabrics, but their homespun is one of my favourites. It's so soft and just beautiful to work with, and I always keep many metres in my stash.


I used a double batting for the first time, but rather than use the recommended combination of a wool and a poly batting, I used what was on hand and made a double poly sandwich before appliquéing and quilting the petals in the one process.


Then came the fun part, free motion quilting all that white space!


I might have gone just a little over the top with those feathers!


Finally I bound it in one of my favourite blue prints, an abstract floral that reads as plain, but has enough liveliness to be interesting, if that isn't too contradictory :-)


Then a funny thing happened on the way to the competition. My Spotlight store took down all the signs advertising the Quilting Expo!

 I checked with the store a week before, and again on the day of the advertised event, and on both occasions I was told it was still on, and invited to bring my quilt in for judging.

But there were no other entries :-)

So in the strangest of circumstances, it won! And I won a sewing machine!


Emboldened by my 'win', I summoned up all my courage, took a very, very deep breath and entered Happy in the Modern Quilt Guild Quiltcon competition. This is a juried competition, attracting world wide entries, but nothing ventured....

Of course it was rejected, on the basis of these two photos below from my online entry.


The Quiltcon exhibition judges had clearly given a lot of thought to the sensitive, encouraging wording of their rejection email, but it still took me several hours to come to terms with it. Instagram was alight with excited quilters posting screen shots of their acceptance emails, and pics of beautiful quilts that will hang at Quiltcon next February, and I couldn't help feeling left out of the party.

It wasn't until I learnt that from around 1,350 entries only about 300 had been chosen that I started to feel a little better. 

And then quilters like me, coming to terms with their disappointment, gradually started to pick themselves up, dust themselves off and gather courage to post pics to Instagram of their #rejectedfromquiltcon and #quiltconreject quilts. The trickle soon swelled to a torrent and by the end of the day there was a virtual quilt show of #tunaquilts ('the fish John West rejects', get it?��)

And these rejected quilts were magnificent!!!!

I have plans for this quilt, and the experience of entering an international competition has taught me a great deal. It's also made me even more determined to become a better quilter.


Saturday, November 8, 2014

August's Mini - Come What May

Yes, I know it's November, and like the butcher who backed into the sausage machine, I've got a little behind in my work. The main reason is because, well, in between my day job I've been making quilts like this one.


You may recall, Di B, Sue M and I signed up, back in July, for a 6 month Mini Quilt Club through Fabric Garden. Each month the lovely Sue Miller sends us a different Jaybird Quilts (designed by Julie Herman) mini quilt pattern, and we get together at Quilt Central (also known as Di B's place) for a hilarious time stitching our individual quilts for that month.

I've shared The first of these, Radio Way, in a previous post. It was a quilt I really loved making. In fact we all did. This one, not so much.  For me it was just a little 'busy' and I really found it hard to choose my fabrics because I couldn't get my head around where each one would end up.

This was my selection, all pulled from my fabric stash. As usual, I cut my pieces prior to our stitching day to save time, and to keep myself on track I labelled them all with masking tape.


These progress pics show my quilt (left), Sue's (top right) and Di B's (bottom right).


I'm sorry to say I still wasn't completely smitten with my Come What May mini quilt when the top was finished. So I decided to mentally divide it into squares and machine quilt petals inside each on these spaces.

This way I began to see a secondary pattern emerge, rather than just the pieced pattern which still looks way too random.

Don't get me wrong, I love Julie's quilt designs. It's just how my brain works (or doesn't ��) with this one.




Come what may, I was determined to make this mini quilt work for me and I'm very happy to say it does.

That's what this Mini Quilt Club is all about for me. Sometimes I'm instantly smitten with that month's pattern, and sometimes it takes a little longer for the love to grow.

Either way, it's exciting to be challenged with new techniques, patterns and colour combinations every month, stretchng myself and moving out of my comfort zone. That's what it's all about.


Thursday, October 16, 2014

Show and Tell

Don't you love the way quilters encourage each other when they get together? This month, at our St Mark's Quilters workshop, there were plenty of oohs and aahs as we took time to admire each other's latest creations, not all of them charity quilts.

Di B has signed up for the worldwide Instagram mini quilt swap, and she brought along her finished quilt, made with foundation paper pieced spiral flying geese. I love the way those tiny triangles of Terra Australis 2 in their vibrant colours glow against the newsprint background.


We could imagine how sweet this pattern might be, reproduced in pastels as a Blanket of Love sometime in the future.


Di has also been busy making a birthday quilt for a little boy who lives next door to her. The big braid pattern looks very effective made from a jelly roll in bright prints, and bordered in a vivid blue faux hand-dye fabric. It just needed some border quilting and the binding done before it would be ready to give.


Gail had her completed mini braid quilt, A Blanket of Love for RPA Newborn Care.


That pieced bias binding is a cute variation. We love it when our quilters try something a little different!


Di C made this giant star quilt and quilted it in black thread to emphasize the star.



Clever Di even managed to line up her blocks on the front with an identical star pieced backing.


Michelle has been carefully working on this kindy quilt for The Marcia kindy for autistic children at Liverpool. The fabrics are all doggy themed  and she's going to appliqué those little red kennels and some dogs on that yellow solid strip.


She finished pinning her quilt and started the straight line quilting using her new Bernina walking foot with the ditch stitching guide.


We had some sweet finishes too, like this one by Barb.


This quilt by Perdita is much prettier that it looks here. The delicate shade of powder blue has tiny white stars, and she's backed it with a Winnie the Pooh print in the same blue.


Barb's been playing with HSTs and come up with this pretty diagonal arrangement. Nice!


Gillian made this clever woven-effect heart in a pink and a blue version.



And there was plenty of interest in this clever design, also by Gillian. Look what a little imaginative fussy cutting can produce!


And this one, made by me, has finally been added to the pile.


Of course our two most encouraging.'members' were there too.

Chester took snack time very seriously.


And Matilda just didn't stop smiling :-)